Aramis [the musketeers] (
averygoodshot) wrote in
itinere2016-09-10 03:44 pm
Entry tags:
Open | Action | You can take the boy out of the Garrison ....
It was one of those mornings when Aramis woke up inhaling smoke and hearing the sound of the Garrison being blown up, even as they were mourning the death of the man all the Musketeers considered their father.
Even as he flung himself to wakefulness, lungs heaving for breath, heart pounding raucously against his chest, Aramis realized that that wasn't the case. That here he and Porthos were in this strange place with a safe and sound Garrison.
It did make the idea of going back to sleep impossible.
Clad in his trousers and a loose tunic, his pistol and arquebus on the table in the courtyard of his home, first, he takes up his sword. He doesn't want to wake Porthos by firing his gun, even if that is what he's best at. Next to his pistols, too, is a little golden ball that he doesn't know nor understand. He hasn't fussed too much with it, as he knows that "gifts" from this place do not come without a price.
So, should anyone pass by the strangely rustic building in the middle of Itinere and peer into the entryway, they will see a man fencing a wooden post into submission. He thinks about Paris, his home. He thinks about Porthos, about their relationship now and what it had been here before. He thinks of friends here and there. He thinks too much, even about that golden ball on the table. If only he could keep himself from thinking.
Even as he flung himself to wakefulness, lungs heaving for breath, heart pounding raucously against his chest, Aramis realized that that wasn't the case. That here he and Porthos were in this strange place with a safe and sound Garrison.
It did make the idea of going back to sleep impossible.
Clad in his trousers and a loose tunic, his pistol and arquebus on the table in the courtyard of his home, first, he takes up his sword. He doesn't want to wake Porthos by firing his gun, even if that is what he's best at. Next to his pistols, too, is a little golden ball that he doesn't know nor understand. He hasn't fussed too much with it, as he knows that "gifts" from this place do not come without a price.
So, should anyone pass by the strangely rustic building in the middle of Itinere and peer into the entryway, they will see a man fencing a wooden post into submission. He thinks about Paris, his home. He thinks about Porthos, about their relationship now and what it had been here before. He thinks of friends here and there. He thinks too much, even about that golden ball on the table. If only he could keep himself from thinking.

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Needless to say, he does not wake up when Aramis sneaks out to train, not for a good while, not until he's ready to wake up. Then he makes his way down to take a shower, another luxury that this place has provided. He dresses in trousers and tunic, then heads back upstairs to get back into his doublet. He's not comfortable enough here to go without much of his uniform just yet.
When he makes it back downstairs and sees Aramis still sparring, he stands back and watches for a good while. There has been much on his mind as well. However, he pushes it to the back of his mind as often as he can for survival purposes. A man must be able to compartmentalize when things get confusing or unnerving. Porthos is getting very good at this.
"Curious whether you're lettin' out some aggression or simply tryin' to keep up your skill." He finally says, heading for the kitchen to grab some food.
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When his friend reappears, by habit or instinct, Aramis looks him over; he looks good - no hollows under his eyes, no frown that often creases his forehead. "You slept well, I take it?"
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He's just taken a healthy swallow of the wine, straight from the bottle, when he steps back out to the main yard. He sees the way Aramis looks him over and his lips pull into a small grin. Sometimes there are moments that pass between the two of them when Porthos has to remind himself that, for whatever reason, maybe many reasons, some of which they can't even wade through just yet, things are different for them now. Will they ever truly come back together? Who knows. Right now this is the way things are. Nothing more. Nothing less.
"Good sleep, yeah." Which he feels as if he should be guilty over, given the state of their home, but he isn't. He's been off fighting wars for years. Maybe he deserves just the tiniest bit of sleep before the guilt takes over. Aramis looks good too, of course. Aramis always looks good. But it's easy to see that things are going on beneath the surface. "I'm guessin' you couldn't sleep. Somethin' on your mind?"
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That's his story and he's sticking to it.
"Just a bad dream," he answers, sitting on the table, booted feet up on a bench. He won't go into detail about that unless Porthos asks. He doesn't want to trigger any bad thoughts for his friend if he can avoid it.
Comfort comes in all forms, doesn't it? being touched, being talked to are just a few ways. Porthos's presence is very comforting, too; his sheer mass and the character behind it.
"It too will pass," he says, dismissing it. "Would you like some food?" he asks, gesturing back toward the kitchens. "I can stoke the fire and put something on."
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Bad dreams happen to the both of them. That much Porthos can understand. So he nods and doesn't push just yet to try to coax it out of Aramis. For now, he decides that if Aramis wishes to let him in on it then he will.
"Nah. This is enough for me." Wine, a definite comfort for Porthos. It has been that for some time. Also, he doesn't want Aramis waiting on him or putting himself out or anything. Aramis seems to have enough on his mind to add taking care of Porthos to the list.
He stands in front of Aramis and gently taps his friend's knee with his fingertips and smiles. "When I have bad dreams I make sure to try to fill me mind with somethin' good. Like remember that time we came upon a Spanish regiment bathin' in a stream and we stole their uniforms?"
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He nods, holding his cup in his hands. That's good advice, too.
(For the record, Aramis takes great pride in taking care of others, whether it be the Musketeers or the children at the monastery.)
Getting up, he fetches some bread and cheese for himself, though it is set between them both if Porthos changes his mind.
"Any chance I can talk you into sparring?" he asks, gesturing to the open courtyard.
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When Arsmis returns with food, Porthos doesn't sit down. He lets Aramis eat and continues to drink his wine from the bottle. Wine has fruit in it. Yep. They're both coping in their own ways, it seems.
He looks over to the courtyard, usually familiar and bustling with life. Porthos hasn't spent too much time there for all of its emptiness.
He decides to feign amusement and sends Aramis a grin. "If you think you need the practice." He teases.
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Now though, she watches the one called Aramis as he attacks a dummy. He's really good with a sword. So is Dani. A part of her itches to get down there and spar with him. Another part of her wants to remain hidden because she doesn't want them to catch on that they have a house guest, and have for awhile now.
Eventually though, her need to show off gets the best of her. She uses the slip stream to get out to the front of the Garrison faster than the eyes can see. She walks right through the front gate, sauntering in that way that Dani has, into the yard in plain view of Aramis as if she just came in off the street.
"Hey. What's that dummy ever done to you?" She teases him, her freckled face full of playfulness and mischief.
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"I'm sure it's a horrible dummy, needs destroyin'." Dani says, pushing up to sit on the table top rather than the bench seat next to it. Her sneakered feet go to the bench seat. In this way, her long leather coat comes open to show the sword at one him and the spear at the other. Dani is always well armed, although the spear is new. "Or you could spar with somethin' that'd fight back." There's a glint in Dani's eyes at the suggestion.
Also, she really likes being called mademoiselle.
"I'm alright. Gettin' from day to day and really if you're me that's an accomplishment. Each new day's a feckin' gift, am I right?" She smiles at Aramis. Dani really is a glass is half full kind of girl, despite all the shite that's been thrown her way in her lifetime. She's almost always looking on the bright side, much to the chagrin of some who have met and know her.
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When Dani sits and Aramis sees the sword, his expression doesn't change. Had they talked of her ability to swordfight? He doesn't recall it.
Her offer to spar, though, is not dismissed out of hand. Aramis is too canny for that and he knows that women like Constance and Sylvie can fight quite handily.
"Do you often risk death on a daily basis, madamoiselle?" he asks, taking a few steps closer, still smiling. For every day, especially for a Musketeer is a gift. He knows that as surely as he knows his name.
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"Oh! Everyday back home! Somebody's gotta be the hero and that somebody is me!" Dani proclaims. And while she isn't the only hero, Mac is one too, so are Barrons and Ryodan even though they're very anti-hero, she's not lying when she says she's in mortal danger every day in her world. The list of people who want her dead is long and getting longer by the day.
Truthfully, she kind of misses it. In her world, Dani's important. Her life means something. Here...
Well, her features briefly fall and she shakes her head. "Here it ain't always so necessary to put myself out there. Feck, it can be downright boring! How'd you get so good with a sword?"
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"But you are bored?" he asks, amused at that idea. Not that he hasn't been a victim of boredom a time or two. It's more that here, he is more lost than bored. He has nothing to rely on, his friendship with Porthos aside (but even that seems strange in this place). "Do you wish to spar, madamoiselle?"
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She pauses when she catches sight of a man in the entryway of this building who obviously has exceptional swordsmanship with his fencing at the wooden post. She watches for several moments, and at a moment when he pauses, she speaks up, hopefully not startling him. Her accent sounds Eastern/Southern European-ish, easily mistaken for vaguely Serbian.
"That's an impressive skill. Were you self-taught?" In her own abilities (her abilities of telepathy, mental manipulation, and telekinesis) she's self taught, so she's always curious as to how others have mastered their respective skills.
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"We have not met, no." She replies with a smile, even though she hasn't been in a very smile-y mood as of late. "I've only been here two weeks or so, but have been the elusive type until maybe two days ago." It at least explains why she hasn't been seen much if at all by people here. "I'm Wanda Maximoff." She introduces herself, but adds more to that as he had, though her titles are not nearly as fancy (the only title she could claim is 'Avenger' and she's pretty sure that doesn't count any more considering back home she's considered an international fugitive). "I'm from a country called Sokovia, and the year twenty-sixteen." Well, she was last living in America, but she's neither American by naturalization or by birth, so it doesn't count as being where she's from. "It's nice to meet you."
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Fighting with her mind?
"I - like this," he says, moving forward to adjust her grip on the handle of the sword. "If I may ask ... how does one fight with one's mind?" Is it, he wonders, like strategy? Or something more?
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Even though she had only talked with the man through the devices, she remembers him. She remembers everyone who had helped her then. Prim had disappeared because she had been sent back to Panem and all the searching possible wouldn't have resulted in finding her sister. But they had tried and because they had, she owes them. That appreciation won't go away anytime soon.
So when she walks by and sees him fencing against a post, Katniss stops to watch. She can't exactly figure out if Aramis practicing or taking out his frustration against the piece of wood. Maybe both? Either way, it's clear that he's had experience with this weapon. A lot of experience. At some point when Aramis pauses in his workout, she takes the opportunity to send an arrow flying into the heart of the post. "Much more effective," she calls out, smirking a little. "It only takes one."
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Clearly, she is very skilled with the bow. "Unless it doesn't go deep enough," he replies, working to catch his breath. "I hope you aren't planning to shoot one of those into me, madamoiselle."
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"I'm not," she reassures him. He had helped her in searching for Prim. Katniss hasn't forgotten. Feeling a little sheepish, she admits, "I was trying to show off."
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He turns to smile at her. "Madamoiselle. What has you up and out so early in the day?"
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The last thing Katniss would ever want to do is terrify her sister with the unexpected sound of an explosion or gunshot.
"I hunt," she answers easily enough, though her lips press together thoughtfully. "That's the second time you've called me that. Madomoiselle?"
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